Your timeline.
Every detail, in a sheet.
Export clip timing, music cues, source files and markers to Excel. Free, with no account. Processing happens on your device.
Select an editing system before choosing your file.
Choose your timeline
Standalone .fcpxml / .xml files open directly. For .fcpxmld packages, drop the package or use the optional folder button.
You can also drop a file or an FCPXMLD package for the selected editing system here. Original media files are not needed.
DRT works on its own and preserves track names. Recommended for track and music reports. This beta exports timeline timing; source ranges, mute states, effects and markers are not decoded from DRT. Alternatively, upload XML on its own for supported source timing; track names may be missing.
No timeline selected.
Review parsing notes and warnings
Music Cue Sheet
Select the tracks / roles that contain music. Explicitly disabled clips are excluded; unknown mute states remain included. Verify audibility in your editor. Identical source/channel ranges are counted once.
Choose individual clips
Uncheck clips to exclude them from the cue sheet.
Music credits
Edit title, composer and publisher per source file. This does not identify songs from audio.
The main workbook also includes your current cue sheet. Saved music credits can be reused across timelines; track selection and clip exclusions reset for each timeline.
Timeline preview
First 100 component rows. The Excel export includes all rows, usage summaries and separate role worksheets. Separate audio channels can produce multiple rows for one edit.
What the workbook contains
Overview · Role Summary · File Usage · Timeline Clips · Music Cues · Source Files · Markers · Keywords · Effects & Transitions · Warnings · Individual Roles
Out points are exclusive. Durations use minutes:seconds.milliseconds (01:30.000 means 1 minute 30 seconds). Timeline and Source In / Out use hours:minutes:seconds:frames. File In / Out use elapsed hours:minutes:seconds.milliseconds from the start of the file. The Overview worksheet explains the columns. Final Cut music is identified by audio role. Resolve DRT music is identified by track names containing “Music”. Resolve XML may omit track names and music classification. Premiere uses exported track names or V/A indices; music is classified only when a track name contains “Music”.
Beta: FCPXML, standalone Resolve DRT Premiere Final Cut Pro XML (xmeml), and Avid AAF. AAF reports declared components and effects; scope references are not duplicated, and mute states, effect parameters and automation are not decoded. Premiere normal-speed nested sequences are expanded; transition overlaps are included. Retimed nests remain unexpanded and flagged. Premiere clip markers, effect parameters and automation are not decoded. Retimed or rate-conformed source ranges are flagged as unresolved. Effects and transitions are listed with their declared attachment range and parameter values; their output is not rendered or evaluated for audibility. Role summaries merge overlapping intervals to avoid counting simultaneous channels twice. Percentages for different roles may overlap. Disabled components remain in the report. Verify critical delivery data against your editing timeline. Local file paths and media bookmarks are excluded from the workbook.